DBX 676 Tube Mic Pre Channel Strip

 1.350,00
Discover the DBX 676 - a Tube Mic Pre Channel Strip for peak performance. Class-A vacuum tube, vintage VU meter, and compressor/limiter design. Perfect for recording and live performances.

DBX 286S Microphone Pre-amp Processor

 159,00
This DBX 286s microphone pre-amp processor offers an all-in-one solution for high-quality microphone processing.

DBX 560A Compressor/Limiter

 239,00
The dbx 560A Compressor/Limiter offers legendary VCA-based compression in the increasingly popular 500-series format. dbx has a storied history with modular processors dating back to our 900 series, and the 560A continues that tradition. With the same switch-selectable OverEasy® and Hard Knee compression curves as our industry standard dbx 160A rackmount processor, the dbx 560A becomes your new workhorse compressor! With extremely wide threshold, ratio and output controls and true RMS level detection that provides the most natural sounding dynamic processing available, the 560A offers punch to drums, bass, vocals, almost everything! It is also versatile enough to go from subtle compression to "brick wall" peak mitigation.

DBX 266xs Compressor/Gate

 127,50
Bring a more professional sound to your mix Adding a dbx 266xs Compressor/Gate to your live sound rig or studio gives you more dynamic control to create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding more clarity and distinguishing them from the surrounding instruments.

DBX 166xs Compressor/Limiter/Gate

 135,00
The DBX 166xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Patented Overeasy compression technology® provides smooth and musical performance, while AutoDynamic attack™ and release controls, found only on dbx compressors, put great sound at your fingertips. The 166xs can operate in stereo or dual-mono modes, has true RMS power summing, and features high-quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches.